Lecture 15 Friday February 25, 2005

Hudson River School “luminous” style paintings; Krech class discussion

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Announcements:

(1)  Cronon next week; please start reading this weekend in addition to working on the writing assignment

(2)  Writing assignment 2 is one of four handouts today; others are comments about assignment #1, critical response guidelines for completing assignment 2, and excerpts from Adrian Tanner’s review of Krech’s The Ecological Indian.

(3)  Assignment 1 was returned at the end of class.

(4)  Assignment 2 is important. Pay attention to the comments on the first assignment.

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I. Popular Romanticism Today, conclusion:

 

A. From last time:

 

Tuan writes:

"The unplanned and often careless use of land in China belongs, one hopes, to the past. The Communist government has made an immense effort to control erosion and to re-forest. . . . A visitor from New Zealand reported in 1960 that as seen from the air the new growths spread 'a mist of green' over the once bare hills of South China. For those who admire the old culture, it must again seem ironic that the 'mist of green' is no reflection of the traditional virtues of Taoism and Buddhism; on the contrary, it rests on their explicit denial" (248).

Tuan cites R. Murphey, 1967. "Man and Nature in China," Modern Asian Studies 1 (4): 313-33.

 

B. Conclusion

Ulrich Beck, Risk Society: Towards a New Modernity. Translated by M. Ritter (London: Sage, 1992)

What “we are witnessing [is] not the end but the beginning of modernity—that is, of a modernity beyond its classical industrial design” [emph. orig.].

Beck writes:

“[T]he counter-modern scenario currently upsetting the world—new social movements and criticism of science, technology, and progress—does not stand in contradiction to modernity, but is rather an expression of modernization beyond [the model of] . . . industrial society” (Risk Society p. 11).

 

See also Catherine Albanese, Nature Religion in America: From the Algonkian Indians to the New Age (University of Chicago Pr., 1990) and

Meredith Veldman, Fantasy, the Bomb, and the Greening of Britain: Romantic Protest, 1945-1980 (Cambridge U. Pr., 1994).

 

 

II. Hudson River School, continued

 

Martin Johnson Heade

Approaching Thunderstorm

Lake George

Newburyport Meadows

Approaching Storm, Beach Near Newport

 

John Frederick Kensett

The White Mountains, from North Conway

Niagara Falls and the Rapids

Newport Coast

Beacon Rock, Newport Harbor

Eaton’s Neck, Long Island

Sunset on the Sea

 

Fitz Hugh Lane

Boston Harbor

Three-Master in Rough Sea

Camden Mountains from South Entrance to the Harbor

Lumber Schooners at Evening on Penobscot Bay

 

Thomas Moran

Grand Canyon of the Yellowstone

Golden Gateway to the Yellowstone

 

Paintings to pop culture

George Inness, Delaware Water Gap

Currier and Ives, View on the Delaware: “Water Gap” in the Distance (1860)

III. Brief Class Discussion about Krech

IV. Handed back assignment #1 at 10:55